Hobart H600 60Qt Mixer w/ Wire Whip, Flat Beater, Dough Hook, Bowl & Bowl Truck
SKU: 50937050542

Hobart H600 60Qt Mixer w/ Wire Whip, Flat Beater, Dough Hook, Bowl & Bowl Truck

Sale price$3149.55 Regular price$3499.50
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Description

Hobart H600 60Qt Mixer w/ Wire Whip, Flat Beater, Dough Hook, Bowl & Bowl TruckHobart H600 60Qt Mixer w Wire Whip, Flat Beater, Dough Hook, Bowl & Bowl Truck. Hobart H600 60Qt Newly Painted Blue & Black Mixer w New Wire Whip, New Flat Beater, Dough Hook, New 60Qt Bowl & Bowl Truck STANDARD FEATURES 2 H. P. Hobart Designed Fixed Speed Motor Gear Driven Transmission 15 Minute Timer Four Fixed Speeds Open Base Large, Easy To Reach Controls #12 Taper Attachment Hub Manual Bowl Lift 60 Quart Stainless Steel Bowl, B Flat Beater, D

Hobart H600 60Qt Mixer w/ Wire Whip, Flat Beater, Dough Hook, Bowl & Bowl Truck.


Hobart H600 60Qt

Newly Painted Blue & Black Mixer w/ New Wire Whip, New Flat Beater, Dough Hook, New 60Qt Bowl & Bowl Truck


STANDARD FEATURES

■ 2 H.P. Hobart Designed Fixed Speed Motor

■ Gear-Driven Transmission

■ 15 Minute Timer

■ Four Fixed Speeds

■ Open Base

■ Large, Easy-To-Reach Controls

■ #12 Taper Attachment Hub

■ Manual Bowl Lift

■ 60-Quart Stainless Steel Bowl, “B” Flat Beater, “D” Wire Whip, “ED” Dough Hook

ACCESSORIES

❑ Stainless Steel Bowl ❑ “B” Flat Beater

❑ “D” Wire Whip

❑ “E” Dough Hook

❑ “I” Heavy Duty Wire Whip

❑ Bowl Truck

❑ H600

H600 MIXER

60-Quart All Purpose Mixer

H600 Mixer


SOLUTIONS/BENEFITS

2 H.P. Hobart Designed Motor

Durability

■ Heavy-duty to meet the most demanding

operations

15-Minute Electric Timer

Convenience, Ease of Use, Consistency

■ Supports recipe mixing times

■ Simplifies operation

■ Provides accurate results and eliminates

overmixing

Four Fixed Speeds

Flexibility, Reliability, Consistency

■ For incorporating, blending, mixing ingredients

■ Safety interlock prevents operation when front

portion of guard is out of position

Gear-Driven Transmission

Durability, Reliability

■ Ensures consistent performance and minimum

downtime with positive drive under heavy loads

Hobart Attachments

Durability, Flexibility

■ Hobart manufactured accessories are designed

for long-term usage under heavy-duty

conditions

■ Large array of attachments provide multiple

uses for recipe and product processing

H600 MIXER CAPACITY CHART

Recommended Maximum Capacities - dough capaci- ties based on 70°F. water and 12% flour moisture.

PRODUCT

AGITATORS SUITABLE FOR OPERATION

H600

CAPACITY OF BOWL (QTS. LIQUID)

60

Egg Whites

D

2 qts.

Mashed Potatoes

B& C

40 lbs.

Mayonnaise (Qts. of Oil)

B or C or D

18 qts.

Meringue (Qts. of Water)

D

11⁄2 qts.

Waffle or Hot Cake Batter

B

24 qts.

Whipped Cream

D or C

12 qts.

Cake, Angel Food (8-10 oz. cake)

C or I

45

Cake, Box or Slab

B or C

50 lbs.

Cake, Cup

B or C

60 lbs.

Cake, Layer

B or C

60 lbs.

Cake, Pound

B

55 lbs.

Cake, Short (Sponge)

C or I

45 lbs.

Cake, Sponge

C or I

36 lbs.

Cookies, Sugar

B

40 lbs.

Dough, Bread or Roll

(Lt.-Med.) 60% AR §

ED

80 lbs.*

Dough, Heavy Bread 55% AR §

ED

60 lbs.*

Dough Pie

B& P

50 lbs.

Dough, Thin Pizza 40% AR (max. mix time 5 min.) §‡

ED

40 lbs.■

Dough, Med. Pizza 50% AR §‡

ED

70 lbs.■

Dough, Thick Pizza 60% AR §‡

ED

70 lbs.*

Dough, Raised Donut 65% AR

ED

30 lbs.†

Dough, Whole Wheat 70% AR

ED

70 lbs.

Eggs & Sugar for Sponge Cake

B & C or I

24 lbs.

Icing, Fondant

B

36 lbs.

Icing, Marshmallow

C or I

5 lbs.

Shortening & Sugar, Creamed

B

48 lbs.

Pasta, Basic Egg Noodle (max. mix time 5 min.)

ED

30 lbs.

NOTE: % AR (% Absorption Ratio) - Water weight divided by flour weight. Capacity depends on moisture content of dough. Above capacities based on 12% flour moisture at 70°F water temperature.

■ 1st Speed

* 2nd Speed

† 3rd Speed

§ If high gluten flour is used, reduce above dough batch size

by 10%.

‡ 2nd Speed should never be used on 50% AR or lower

products.

USE OF ICE REQUIRES A 10% REDUCTION IN BATCH SIZE. 1 gallon of water weighs 8.33 lbs.

H600 Mixer

NOTE: Attachment hub should not be used while mixing.


H600 MIXER

SPECIFICATIONS

MOTOR:

2 H.P., Hobart designed, high torque ball bearing, ventilated within mixer enclosure. Single-phase is capacitor-start, induction-run type. Three-phase is polyphase squirrel cage, induction-run type.

BOWL LIFT:

Hand operated, self-locking in any position.


STANDARD EQUIPMENT:

Consists of the mixer unit with one (1) 60-quart stainless steel bowl, one (1) “B” flat beater, one (1) “D” wire whip, one (1) dough hook and (1) Bowl Dolly

ATTACHMENT HUB:

Comes with front-mounted Hobart standard #12 taper attachment hub for use with #12 size attachments.

NOTE: Use of attachment hub during mixing operation may result in a negative impact on performance and longevity of mixer.


ELECTRICAL:

3Phase

200V 10.9 Amps 230V 9.5 Amps

200-230V 7.4 Amps 400-460V 3.7 Amps

115/60/1, 200/60/1, 230/60/1, 200-230/60/3 and 400-460/60/3 – U L Listed. Also available in 220/50/1, 200-220/50/3 and 380-415/50/3 – not submitted for

U L Listing.


CONTROLS:

Magnetic contactor with automatic resetting bimetallic thermal overload protection internally mounted. “Start-Stop” push buttons protected by rubber caps. A 15-minute timer is standard.


TRANSMISSION:

Gear-driven. Gears are constant mesh heat-treated alloy steel. Anti-friction ball or roller bearings. A hardened steel worm and alloy bronze worm gear transmit power from motor to transmission. All shafts are mounted in ball or roller bearings. Circulating oil lubricant furnished to all gears. Visual type transmission oil level gauge.

SPEEDS:

Four positive speeds -

“A” 60 Qt Bowl

“B” Flat Beater

“D” Wire Whip

“E” Dough Hook

“F” Bowl Truck

Accessories Ingredient Chute

9" Vegetable Slicer

Meat Chopper Attachment

Hobart Bowl Scraper

Agitator (RPM)

Attachment (RPM)

1. First

71

79

2. Second

123

139

3. Third

206

231

4. Fourth

362

407


LISTED BY: Underwriters Laboratories, Inc. and NSF International. Certified by the Baking Industry Sanitation Standard Committee.

H600 Mixer

WEIGHT: 718 lbs. net; 800 lbs. domestic shipping.

 

Customer satisfaction is our #1 goal at MS Restaurant & Equipment Sales.  Please let us know if you would like to purchase additional insurance for shipping. WE ARE NOT RESPONSIBLE FOR ANY DAMAGES THAT OCCUR DURING SHIPPING.  It is recommended to purchase additional insurance for your product.  **Please inspect your product once you receive it for any damage. ** All freight claims are to be dealt with through the shipping company.  We ship via LTL common carrier.

SHIPPING QUOTES:

Please contact us to receive a shipping quote. Be sure to indicate if the shipment is going to a business or a residential location and if you have a loading dock or will need a liftgate for delivery.  Please let us know if the delivery location is in a limited access area.  Include the name of your business, the complete delivery address, good contact phone number, and email address.

PARA ENVIOS: 

SE HABLA ESPAÑOL SI SE NECESITA:  Para poder darle la información correcta para un envío necesito esta  información: Necesito el nombre, número y email completo de la persona a que se va contactar para el envío? Necesitó la dirección completa y de donde vamos a enviar. Si se va enviar a domicilio o a un negocio? Cuales son las horas de operación? Se pudiera meterse un camión sin problemas? Necesita cita para el envío?

LISTINGS:

IF AN ITEM IS LISTED WITH MORE THAN ONE ITEM AVAILABLE YOU MAY NOT GET THE ONE PICTURED.  Please ask before purchasing the item,If you have any questions. All items will be in almost the same condition if not identical condition.

PAYMENT TERMS:

We accept ACH, PayPal, and all major credit cards. Pennsylvania Residents are required to pay the 6% sales tax. Payment must be received in 3 days, if payment is not received by the end of the 3rd day the item will be relisted, and you forfeit your bid. 

SHIPPING:

We ship Monday through Friday 9:00 am - 4:00 pm eastern standard time. Once payment is received your item will usually ship the same day if going by UPS Ground. Freight Items will ship 1-2 business days of receiving payment to allow crating and packing. Please contact us to receive a shipping quote, also be sure to include whether this is going to a business or residential location and if you a lift gate or if you have a loading dock and please make sure to let us know if this is a limited access area. Please include the name of your business and a good contact telephone number. Our #1 goal at MS Restaurant & Equipment Sales is Customer Satisfaction!  Please let us know if you would like to purchase additional insurance for shipping, WE ARE NOT RESPONSIBLE FOR ANY DAMAGE THAT OCCURS DURING SHIPPING.  We recommend that you purchase additional insurance for your product.  PLEASE INSPECT YOUR PRODUCT ONCE YOU RECEIVE IT FOR ANY DAMAGE.  ALL FREIGHT DAMAGE CLAIMS ARE TO BE HANDLED DIRECTLY WITH THE SHIPPING COMPANY.  WE DO USE A PROFESSIONAL LTL FREIGHT COMPANY.

RETURN POLICY

ALL USED OR REFURBISHED ITEMS SOLD WILL HAVE A 30 DAY RETURN POLICY, IF ITEMS ARE RETURNED THERE IS A 20% RESTOCK ON ALL ITEMS AND BUYER MUST PAY FOR THE ITEM TO BE SHIPPED BACK. IF USED EQUIPMENT IS GAS, WATER, 208 VOLTS OR HIGHER, OR 3 PHASE ELECTRICAL, IT MUST BE INSTALLED BY A PROFESSIONAL RESTAURANT EQUIPMENT TECHNICIAN WHO IS LICENSED IN YOUR STATE. IF YOU CANNOT PROVIDE PROOF (I.E INVOICE, WORK ORDER) OF PROFESSIONAL INSTALLATION, THEN RETURNS WILL NOT BE HONORED. NO QUESTIONS ASKED.

Thank You,

            Mike Sponsler- MS Restaurant & Equipment Sales

                                               

 

 

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SKU: 50937050542

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4.3 ★★★★★
Based on 2417 reviews
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Product Reviews
D
Verified Purchase
Diana D
Los Angeles, US
★★★★★ 5
Very well written and easy to read.
Format: Paperback
Few people are as qualified as Philip Meyer to write a book on storytelling for lawyers. With a background as a trial lawyer, he has plenty of practical, real-life experience in the courtroom. His approach is not that of an academic giving purely theoretical advice, but that of a seasoned lawyer who knows the ins and outs of the legal profession. His experience as a professor (of both law and writing) has honed his ability to effectively communicate his ideas to a broad audience. Not only is this book helpful for the practicing lawyer, it is also useful and not too complex for the legal neophyte or casual reader. This book breaks storytelling (narrative) down to its core components and analyzes them one by one. In the process of analyzing each part of a story, Philip Meyer skillfully explores each component with a non-legal example (e.g. movies, books, etc.) before applying it to a legal example (e.g. courtroom proceedings, appellate briefs, closing arguments, etc.) By first analyzing each part of a story (i.e. plot, setting, etc.) from a well-known story that resonates with the reader, he sets a strong foundation before transitioning to a legal story, thus making it easy for the reader to identify and better understand each part of the legal story. I highly recommend this book to anyone remotely interested in storytelling and persuasion as they relate to the legal profession.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 22, 2016
J
Verified Purchase
JR
Boise, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2018
T
Verified Purchase
Tahoeman
Grantham, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Alexandria, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Lowell, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017

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