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Description
Various – 100 Chefs-D'oeuvre De La Musique Classique - 5 Discs (Used) (Mint Condition) CD1 1 Richard Strauss Ainsi Parlait Zarathoustra, Op. 30 1: 57 1 2 Jean Sbastien Bach* Suite N3 Pour Orchestre Bwv 1068 5: 45 1 3 Wolfgang Amadeus Mozart Srnade "Une Petite Musique De Nuit" K. 525 3: 35 1 4 Edvard Grieg Peer Gynt 2: 52 1 5 Antonin Dvorak* Symphonie N9 "Du Nouveau Monde", Op. 95 2: 04 1 6 Robert Schumann Scnes D'enfants 2: 39 1 7 Nicolo Paganini* Concerto Pour Violon Et Orchestre N2, Op. 7 1: 29 1 8 Giuseppe Verdi Le Trouvre 2: 51 1 9
| 1-1 | Richard Strauss– | Ainsi Parlait Zarathoustra, Op.30 | 1:57 |
| 1-2 | Jean-Sébastien Bach*– | Suite N°3 Pour Orchestre Bwv 1068 | 5:45 |
| 1-3 | Wolfgang Amadeus Mozart– | Sérénade "Une Petite Musique De Nuit" K.525 | 3:35 |
| 1-4 | Edvard Grieg– | Peer Gynt | 2:52 |
| 1-5 | Antonin Dvorak*– | Symphonie N°9 "Du Nouveau Monde", Op.95 | 2:04 |
| 1-6 | Robert Schumann– | Scènes D'enfants | 2:39 |
| 1-7 | Nicolo Paganini*– | Concerto Pour Violon Et Orchestre N°2, Op.7 | 1:29 |
| 1-8 | Giuseppe Verdi– | Le Trouvère | 2:51 |
| 1-9 | Nicolas Rimski-Korsakov*– | Tsar Saltan | 1:11 |
| 1-10 | Ludwig van Beethoven– | Sonate Pour Piano N°14 "Clair De Lune", Op.27 N°2 | 6:01 |
| 1-11 | Antonio Vivaldi– | Les Quatre Saisons | 3:27 |
| 1-12 | Jacques Offenbach– | Orphée Aux Enfers, Ouverture | 2:05 |
| 1-13 | Luigi Boccherini– | Quintette A Cordes Op.11 N°5 | 3:24 |
| 1-14 | Johannes Brahms– | Danse Hongroise N°5 | 2:34 |
| 1-15 | Bedrich Smetana*– | La Moldau | 3:52 |
| 1-16 | Johannes Brahms– | Symphonie N°3 | 5:51 |
| 1-17 | Emmanuel Chabrier– | Espana | 6:01 |
| 1-18 | Frédéric Chopin– | Sonate Pour Piano N°2, Op. 35 | 8:34 |
| 1-19 | George Gershwin– | Un Américain A Paris | 5:44 |
| 1-20 | Maurice Ravel– | Boléro (Extrait) | 5:16 |
| 2-1 | Ludwig van Beethoven– | Symphonie N°5, Op.67 | 3:08 |
| 2-2 | Piotr Illitch Tchaïkovsky*– | Casse-Noisette | 7:01 |
| 2-3 | Giuseppe Verdi– | Rigoletto | 3:05 |
| 2-4 | Jules Massenet– | Thaïs | 4:50 |
| 2-5 | Serge Prokofiev*– | Roméo Et Juliette | 5:18 |
| 2-6 | Johann Strauss Sr.– | Johann Strauss | 2:21 |
| 2-7 | Joaquín Rodrigo– | Concierto De Aranjuez | 3:21 |
| 2-8 | Wolfgang Amadeus Mozart– | Requiem, K.626 | 3:17 |
| 2-9 | Gabriel Faure*– | Pavane (Extrait) | 2:34 |
| 2-10 | Johannes Brahms– | Berceuse, Op.49 N°4 | 1:49 |
| 2-11 | Jacques Offenbach– | Les Contes D'Hoffmann | 3:55 |
| 2-12 | Georges Bizet– | Carmen | 4:26 |
| 2-13 | Giacomo Puccini– | Turandot | 3:25 |
| 2-14 | Giuseppe Verdi– | Requiem | 2:38 |
| 2-15 | Hector Berlioz– | La Damnation De Faust | 4:24 |
| 2-16 | Gioacchino Rossini– | Le Barbier De Séville | 4:38 |
| 2-17 | Georg Friederich Haendel*– | Water Music | 4:28 |
| 2-18 | Jean-Sébastien Bach*– | Le Clavier Bien Tempéré | 1:25 |
| 2-19 | Gabriel Faure*– | Requiem, Op.48 | 4:01 |
| 2-20 | Claude Debussy– | Prélude A L'après-Midi D'un Faune | 9:33 |
| 3-1 | Jean-Sébastien Bach*– | Toccada Bwv 565 | 2:35 |
| 3-2 | Georg Friederich Haendel*– | Le Messie | 4:00 |
| 3-3 | Wolfgang Amadeus Mozart– | Concerto Pour Piano Et Orchestre N°21 K.467 | 7:15 |
| 3-4 | Johann Strauss Jr.– | Le Beau Danube Bleu, Valse | 3:15 |
| 3-5 | Frédéric Chopin– | Étude Op.10 N°3 "Tristesse" | 4:02 |
| 3-6 | Jean-Sébastien Bach*– | Cantate Bwv 147 | 3:31 |
| 3-7 | Félix Mendelssohn*– | Romances Sans Paroles | 2:08 |
| 3-8 | Giuseppe Verdi– | Aida | 5:08 |
| 3-9 | Manuel De Falla– | L'Amour Sorcier | 1:58 |
| 3-10 | Claude Debussy– | Suite Bergamasque | 5:14 |
| 3-11 | Jean-Sébastien Bach*– | Suite Pour Orchestre N°2 Bwv 1067 | 1:32 |
| 3-12 | Franz Liszt– | Rêve D'Amour N°3 | 4:35 |
| 3-13 | Camille Saint-Saëns– | Le Carnaval Des Animaux | 2:48 |
| 3-14 | Georg Friederich Haendel*– | Largo De Xerxes | 2:57 |
| 3-15 | Ludwig van Beethoven– | Bagatelle "Pour Élise" | 4:02 |
| 3-16 | Louis-Claude Daquin– | Le Coucou | 1:58 |
| 3-17 | Nicolo Paganini*– | Caprice Op.1 N°24 Pour Violon Seul | 4:24 |
| 3-18 | Giacomo Puccini– | Gianni Schicchi | 2:05 |
| 3-19 | Serge Rachmaninov*– | Vocalise | 5:30 |
| 3-20 | Robert Schumann– | Scènes De La Forêt | 3:23 |
| 3-21 | Camille Saint-Saens*– | Samson Et Dalila | 5:31 |
| 4-1 | Carl Orff– | Carmina Burana | 2:37 |
| 4-2 | Serge Rachmaninov*– | Concerto Piano Et Orchestre N°2 | 2:26 |
| 4-3 | Johann Pachelbel– | Canon | 3:10 |
| 4-4 | Frédéric Chopin– | Nocturne Op.9 N°2 | 3:58 |
| 4-5 | Tomaso Albinoni– | Adagio Pour Cordes Et Orgue | 4:14 |
| 4-6 | Piotr Illitch Tchaïkovsky*– | La Belle Au Bois Dormant | 4:08 |
| 4-7 | Wolfgang Amadeus Mozart– | Symphonie N° 40 K.550 | 3:27 |
| 4-8 | Anonyme*– | Romance Pour Guitare | 2:32 |
| 4-9 | Franz Schubert– | Ave Maria | 2:41 |
| 4-10 | Aram Khatchaturian– | Gayaneh | 2:13 |
| 4-11 | Jean Sibelius– | Valse Triste | 6:15 |
| 4-12 | Edvard Grieg– | Peer Gynt | 2:07 |
| 4-13 | Claude Debussy– | Prélude, Livre 1 | 2:42 |
| 4-14 | Henry Purcell– | Dindon Et Enée | 4:34 |
| 4-15 | Georg Friederich Haendel*– | Solomon | 3:07 |
| 4-16 | Johann Strauss*– | Tritsch-Tratsch Polka | 2:48 |
| 4-17 | Joseph Haydn– | Concerto Pour Trompette | 4:34 |
| 4-18 | George Gershwin– | Rapsody In Blue | 3:00 |
| 4-19 | Jean-Sébastien Bach*– | Suite Pour Violoncelle Seul Bwv 1007 | 2:50 |
| 4-20 | Maurice Ravel– | Pavane Pour Une Infante Défunte | 6:16 |
| 4-21 | Richard Wagner– | Tristan Et Isolde | 6:25 |
| 5-1 | Georges Bizet– | Carmen, Suite N°1 | 2:04 |
| 5-2 | Giuseppe Verdi– | Nabucco | 4:54 |
| 5-3 | Piotr Illitch Tchaïkovsky*– | Concerto Pour Piano N°1 | 3:40 |
| 5-4 | Gustav Mahler– | Symphonie N°5 | 2:19 |
| 5-5 | Wolfgang Amadeus Mozart– | Sonate Pour Piano K.331 | 3:35 |
| 5-6 | Edward Elgar*– | Pomp & Circumstance March N°1 | 5:52 |
| 5-7 | Wolfgang Amadeus Mozart– | La Flûte Enchantée | 2:56 |
| 5-8 | Isaac Albeniz*– | Asturias | 2:30 |
| 5-9 | Erik Satie– | Gymnopédie N°1 | 3:53 |
| 5-10 | Marc Antoine Charpentier– | te Deum | 1:21 |
| 5-11 | Frédéric Chopin– | Valse "Minute", Op.64 N°1 | 1:37 |
| 5-12 | Georges Bizet– | L'Arlésienne - Prélude | 2:53 |
| 5-13 | Richard Wagner– | La Walkyrie | 4:55 |
| 5-14 | Paul Dukas– | L'Apprenti Sorcier | 11:28 |
| 5-15 | Anonyme*– | Greensleeves | 3:34 |
| 5-16 | Giacomo Puccini– | Madame Butterfly | 5:00 |
| 5-17 | Wolfgang Amadeus Mozart– | Concerto Pour Flûte Et Harpe K.299 | 7:43 |
| 5-18 | Ludwig van Beethoven– | Symphonie N°9, Op.125 | 3:00 |
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4.6 ★★★★★
Based on 1051 reviews
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Product Reviews
★★★★★ 4
“My heart bows to you and you only, Huntress.”
Format: Kindle
3.5 🌟
This book popped up in my KU recommended reading suggestions and the synopsis sounded like what I was in the mood for. I'm so glad I took a chance on it. I went into this knowing absolutely nothing about it and ended up really liking it. I love when this happens.
The main characters are likeable and I easily found myself rooting for them. There is a mystery element to each of their backstories that I enjoyed watching unfold and can't wait to get more of. Wolf, in particular, has me fixated. Love him.
I found this to be an entertaining, addictive read with a plot that moves along at a good pace. It reads so easily I found myself very reluctant to put it down. Lots of twists and turns and the angst is there. A good set up for the next book to come, for sure.
My issues with this book....the dialogue feels a bit juvenile at times and there is a repetitive over use of a particular word phrasing that I found myself giving the ole eye-roll to. There are, without a doubt, some pretty cliche moments that gave me a bit of the cringe. I think this could've certainly 100% benefited from more depth regarding the world building. Perhaps the world building was sacrificed to keep the pacing quick? Just a guess. Also, the lack of consistency of character for the FMC was really evident and so she feels quite illogical at times.
Overall, this was a fun and enjoyable read that hit the spot well enough for me. That ending certainly has me impatiently pining for book 2!
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Reviewed in the United States on June 18, 2024
★★★★★ 3
Interesting take on the genre
Format: Kindle
True rating: 3.25 ⭐️
I enjoyed the fresh take on the genre. The best way I could describe the setting and world is an apocalyptic dystopian version of Farie where vampires, fae, and angles struggle to survive in what is left of the world. It was definitely interesting throwing the academy/hunger games aspect into this world as well.
Even though I guessed the final reveal early on in the book, I kept hoping I was wrong, and it would take a surprising turn. While the "plot twists" were a bit predictable to me, I still enjoyed the ride this book took me on.
Another downfall for me was the plot holes in the world building... I.E. if society has fallen and the world is in the aftermath of war, how are there trains running around the world? Just to take young adults to the trials to get into the golden city? How is the train maintained, the tracks clear, etc?
However, I did enjoy the FMC & MMC and thought they were fleshed out nicely. I also enjoyed the side characters but wish some were developed more like Ashalin (sp?). I do find myself rooting for the MCs to succeed and find happiness together, which is obviously an important aspect for romantasy.
Overall, was this an earth-shattering, mind-bending, terrific piece of literature? No. But was it the worst thing I've read this year? Also, no. This book has, to me, the bones of a great read & just needs a bit more to push it from an alright book to a great book.
Overall ratings:
Plot- 3.5⭐️
World building 3⭐️
Spice 2.5 🌶🌶
Main characters 4 ⭐️
Supporting characters 3.5⭐️
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Reviewed in the United States on May 12, 2024
★★★★★ 5
great book
Format: Kindle
I am really excited to meet the author at the book retreat this month. I really enjoyed this world that she built and most of the female main character Huntress is so awesome. She goes through a lot in this book and the ending; wow! I wouldn't have even guessed. I highly recommend everyone to read this book.
I have been so lucky this year that almost all the books I have read have been, so far, 5 out 5 stars.
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Reviewed in the United States on June 2, 2026
★★★★★ 4
Fallen for the Fallen Angel – A Guilty Pleasure Worth Every Page
Format: Kindle
There’s something deeply irresistible about a dark academia or trial-based setting, a brooding and arrogant fallen angel, and a fierce heroine with enough sass to go toe-to-toe with him. Wings So Wicked is exactly that kind of book—and I devoured it in just a couple of days.
To be fair, the plot isn’t groundbreaking. If you’re looking for something fresh and innovative in terms of storyline, this might not be it. But if your reader heart beats faster at the mere mention of enemies-to-lovers, jealousy-fueled banter, magical trials, betrayals, and forbidden tension—you’ll feel right at home. It’s like catnip for those of us with this particular weakness.
The chemistry between the leads could have used a slightly slower burn to make the tension sizzle longer, but I still found myself completely invested in their dynamic. There are moments and phrases that feel a bit cheesy or underdeveloped, but honestly? I didn’t care. The vibes were exactly what I wanted.
This book isn’t trying to reinvent the genre—it’s here to give readers like me what we crave: high-stakes magical drama, angsty romance, and the thrill of watching a badass girl and her brooding counterpart clash and spark. If that sounds like your kind of story, Wings So Wicked will hit the mark.
Here’s hoping Book 2 turns up the heat and keeps the magic alive.
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Reviewed in the United States on May 20, 2025
★★★★★ 5
my new favorite book
Format: Kindle
Ok so I never write reviews but this book was so good I felt the need to write this. Firstly your introduced to Huntyr you see her closed off hard core badass than towards the end you see the most subtle change and growth it’s amazing and the enemies to friends to lovers was just perfect, AND THE TWIST AT THE END GOT ME GOOD! You see one spicy scene the whole book but it doesn’t even MATTER BECAUSE THE BOOK WAS THAT GOOD. I’ve read 85 books in 2023-2024 so far and I’m pround to say this is my all time favorite. I’m so excited to read more of Emily Blackwoods books, this was my first time reading one of hers and I’m glad I did because HOLY!! Well done Emily well done
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Reviewed in the United States on February 23, 2024
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