Dynacord CMS 1600-3 Compact 16-Channel Mixer
SKU: 23497163934

Dynacord CMS 1600-3 Compact 16-Channel Mixer

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Description

Dynacord CMS 1600-3 Compact 16-Channel MixerThe CMS 1600 3 Compact 16 Channel Mixer from Dynacord features 12 mic line and four mic stereo line channels. There are six auxiliary ports, two with pre, two with post, and two with pre post switchable faders. Two effects processors offer 100 factory presets and a TAP key allows precise setting of delay times. Each preset can be edited and stored to 20 user memories. The built in USB audio interface shares four playback and four recording channels

The CMS 1600-3 Compact 16-Channel Mixer from Dynacord features 12 mic/line and four mic/stereo-line channels. There are six auxiliary ports, two with pre, two with post, and two with pre/post switchable faders. Two effects processors offer 100 factory presets and a TAP key allows precise setting of delay times. Each preset can be edited and stored to 20 user memories.

The built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels.

Channels 12 x Mic/Line
4 x Mic/Stereo Line
Auxiliary 2 x Pre (MON)
2 x Post (FX)
2 x Pre/Post Switchable (AUX)
Gain Microphone (Mono/Stereo): 0 to 60 dB / 10 to 60 dB
Line/CD/USB (Stereo): -10 to 20 dB
Maximum THD @ 1kHz Microphone Input to Master A L/R Outputs, +16 dBu, Typical: < 0.005%
Frequency Response, -3 dB, ref. 1 kHz, any input to any Mixer Output: 15 Hz to 70 kHz
Crosstalk @ 1 kHz Fader and FX/AUX/MON-Send Attenuation: > 85 dB
Channel-to-Channel: < -80 dB
CMRR, Microphone Input:> 80 dB
Input Sensitivity (All Level Controls in Max. Position Microphone / Line, Mono / Line, Stereo / CD, Stereo): -74 dBu (155 µV) / -54 dBu (1.55 mV) / -34 dBu (15.5 mV) / -34 dBu (15.5 mV)
Maximum Level Microphone Inputs: 21 dBu
Mono Line Inputs / Stereo Line Inputs: 41 dBu / 30 dBu
All Other Inputs: 22 dBu
All Other Outputs: 22 dBu
Input Impedances Microphone / Insert Return: 2 Kilohms / > 3.3 Kilohms
2-Track Return and CD Input: 10 Kilohms
All Other Inputs: > 15 Kilohms
Output Impedances Headphones: 47 Ohms
All Other Outputs: 75 Ohms
Equivalent Input Noise Microphone Input, A-Weighted, 150 Ohms, -130 dBu
Noise, Channel Inputs to Master A L/R Outputs, A-Weighted
Master Fader Down: -97 dBu
Master Fader 0 dB, Channel Fader Down: -89 dBu
Master Fader 0 dB, Channel Fader 0 dB, Channel Gain Unity: -82 dBu
Equalization LO Shelving: ± 15 dB / 60 Hz
MID Peaking, Mono Inputs: ± 15 dB / 100 Hz to 8 kHz
MID Peaking, Stereo Inputs: ± 12 dB / 2.4 kHz
HI Shelving: ± 15 dB / 12 kHz
Master EQ 11-Band (63, 125, 250, 400, 630, 1 kHz, 1.6 kHz, 2.5 kHz, 4 kHz, 6.3 kHz, 12 kHz): ± 10 dB / Q = 1.5 to 2.5
Power Consumption 50 W without Lamp, 55 W with Lamp
Filter LO-CUT, Mono Inputs: f = 80 Hz, 18 dB/oct.
Voice Filter, Mono Inputs: Switchable
Feedback Filter, MON 1/2: 70 Hz to 7 kHz, Notch, -9 dB
Effects Type, Effects Presets: Dual Stereo 24/48-Bit Multi-Effects Processors, 100 Factory + 20 User, Tap-Delay,
Remote Control Footswitch, MIDI
Display: 128 x 64 pixels, OLED
Digital Audio Channels: 4 Inputs / 4 Outputs
AD/DA Conversion, Sampling Rate 24-Bit, 44.1 / 48 / 88.2 / 96 kHz
PC Interface: USB 2.0, Female Type-B
MIDI Interface: 5-Pin DIN Connector, Input / Output
Mixer Output Connections MON 1, MON 2, Master A (Relay Controlled)
Power Supply Switching Mode µC Controlled: Mains Over/Undervoltage, High Temperature
Phantom Power 48 VDC (Switchable in Groups)
Power Requirements 100 to 240 VAC, 50/60 Hz (SMPS with Auto Range Mains Input)
Safety Class Not Specified by Manufacturer
Ambient Temperature Not Specified by Manufacturer
Dimensions 26.1 x 6.1 x 19.6" / 663.5 x 155 x 498.5 mm
Weight 26.5 lb / 12 kg
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SKU: 23497163934

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Wolverine is one of my favorite Marvel characters. He encapsulates the paradox for young adolescent boys. He’s everything we wish to be, and at the same time, everything we would be terrified to be.
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Reviewed in the United States on September 6, 2024
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Brian Reaves
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★★★★★ 5
A huge book that gives you the hero's beginnings.
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Reviewed in the United States on May 20, 2009
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Ian
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★★★★★ 5
A bloody walk down memory lane.
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This massive volume collects all of Wolverine's earliest stories from his very violent history. Instead of being collected chronologically in order of first appearance, this book tells Logan's painful story as it happened to him. Beginning with Marvel Comics Presents #1-10; we see the excruciating process that turned him into Weapon X. After that, it's his first appearance in Incredible Hulk #180-182. That's followed up by the classic 4-issue Chris Claremont/ Frank Miller miniseries, and X-Men #172-173. We also Kitty Pryde and Wolverine #1-6, Captain America annual 8, Spider-Man vs. Wolverine, Punisher War Journal 6-7 and Wolverine #1-10, amongst others. This book is currently out of print, so good luck finding a copy. If you track one down, expect to pay a pretty penny for it, as I did. As a Wolverine fan, however, this is a must-have collection
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