SKU: 25965479558

Deadbeat: LPS 2002-2005 - VINYL LP

Sale price$125.08 Regular price$138.98
Save 10%

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Jul 10 - Jul 15

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

Deadbeat: LPS 2002-2005 - VINYL LPTitle: LPS 2002 2005 Artist: Deadbeat Label: BLKRTZ Product Type: VINYL LP UPC: 880319684838 Genre: Pop Release Date: 2014 11 18 Number of Discs: 6 Deadbeat reissues the 2002 2005 albums in a deluxe vinyl box set. Featuring three classic albums that introduced his intimate brand of dub techno to the world. "Ever since launching his production career at the turn of the century, dub techno auteur Scott Monteith has been nothing if not deeply prolific.

Title: LPS 2002-2005
Artist: Deadbeat
Label: BLKRTZ
Product Type: VINYL LP
UPC: 880319684838
Genre: Pop
Release Date: 2014-11-18
Number of Discs: 6

Deadbeat reissues the 2002-2005 albums in a deluxe vinyl box set. Featuring three classic albums that introduced his intimate brand of dub-techno to the world. "Ever since launching his production career at the turn of the century, dub-techno auteur Scott Monteith has been nothing if not deeply prolific. The Canadian-born, Berlin-based producer's nine Deadbeat albums and nearly two-dozen singles represent one of most prolific and consistently rewarding catalogs in the 21st century electronic music canon. Continuing the reissue campaign of his early output that began with 2001's Primordia (BLKRTZ 006 CD/LP), Monteith's BLKRTZ imprint now releases a massive 6-vinyl box set of his most iconic Montreal albums: 2002's Wild Life Documentaries, 2004's Something Borrowed, Something Blue, and 2005's New World Observer. Taken together, these three Montreal albums capture the Deadbeat project at it's most contemplative and intimate, as far from the club speakers as it would ever get and tuned inward instead. Released a year after moving to Montreal, the roots-reggae revisionisms of Wild Life Documentaries proved to be Monteith's international calling-card. The album pitted the Montreal producer alongside contemporaries such as Jan Jelinek and Kit Clayton. Two years later, Monteith returned with Something Borrowed, Something Blue, the most introspective album of the entire Deadbeat catalog, and also the album from this early period to attain the most critical acclaim. Monteith quickly turned the corner and released the bristling, politically-charged New World Observer album in 2005. a year later, the producer would make the move to Berlin, joining a generation of Canadian producers who'd launched careers to become frustrated with the limited growth potentials of the North American market at the time. Whereas his most recent BLKRTZ albums have been defined by Berlin's ever-morphing club culture, these long out-of-print early albums that first elevated the Deadbeat moniker to international recognition are reflective of another time, another place, and ultimately another context than the one familiar to a new generation of electronic-music listeners. There's a degree of depth and texture to these recordings that simply bypasses any notion of minimalism that was all the rage in discussions of the meeting ground between Kingston's dub low-ends and Berlin's fin-de-siecle avant-garde electronics. Looping repetitions swirling out ad infinitum are simply not part of the Deadbeat aesthetic at this juncture. Instead, the listener finds an inordinate amount of attention being placed on narrative and musical storytelling. These albums are dubby, yes, and not quite techno at all. There are refractions of Krush, Vibert, and Vadim-like trip-hop pacing at work here. There's the moodiness and syncopation of Warp-era IDM at work here, too. Micro-house collage techniques emerge in the sampling. All of this is to say that, in hindsight, the Deadbeat at work on these three albums is a synthesist, not a purist. His vision of dub-techno was less keen on sonic formula and more open to narrative concept than the standards set by the pioneering dub-techno of the mid- to late-'90s. Removed from the timeline that defined them within the footsteps of dub techno, listeners shouldn't be surprised if they hear something altogether different at work here." - Dmitri Nasrallah.

Tracks:
1.1 Open My Eyes That I May See
1.2 Organ in the Attic Sings the Blues
1.3 For Palestine
1.4 For Israel (Jaffa Revisited)
1.5 Let It Rain
1.6 Cause for Hope
1.7 To Berlin with Love
1.8 A Dub for Akufen
1.9 When First You Gave Me Shivers
1.10 Kezia
2.1 A Brief Explanation
2.2 Head Over Heels
2.3 White Out
2.4 Requiem
2.5 Steady As a Rock
2.6 Fixed Elections
2.7 A Joyful Noise (Part 1)
2.8 A Joyful Noise (Part 2)
2.9 Quitting Time
2.10 Portable Memory (The Final Cut)
3.1 Slow Rot from Rhetoric
3.2 Port-Au-Prince
3.3 N'importe Quoi
3.4 Abu Ghraib
3.5 Texas Tea
3.6 O Little Town of Bethlehem
3.7 Time Is Passing Slowly
3.8 Rock of Ages
3.9 Ruination
3.10 Habitat for Heavy Hearts

Audio Sample:
All soundclips are provided by Tidal and are for illustrative purposes only. For some releases, the tracks listed may not accurately represent the tracks on the physical release.
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 25965479558

Discover Niche Categories That Outsell

Top-Converting Item to Boost Your Average Order

4.9 ★★★★★
Based on 341 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
M
Verified Purchase
matthew scruggs
Bozeman, US
★★★★★ 5
If you're a nurse...
Format: Paperback
Very well written and in depth.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 14, 2023
S
Verified Purchase
Susan in Boston
Los Angeles, US
★★★★★ 5
A Classic
Format: Paperback
This is my favorite book by Dr. Watson. I have read it many times and continue to learn and deepen my own nursing practice. I highly recommend this book over all others. Whether you've been a nurse for 4 years or 40 years, you'll be surprised at what you'll learn.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 17, 2015
D
Verified Purchase
Diana M. Newman
Bozeman, US
★★★★★ 5
Caring- updated.
Format: Paperback
It is refreshing to read The Philosophy and Science of Caring. Caring is central to nursing and frequently in the nursing literature. Watson has revised and expanded her Caring Science and Philosophy, offering new insights,science and exemplars. This book is useful for all nurses,scholars, practitioners and educators. It should be required reading for nursing regardless of practice venue. Bravo, Jean!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 26, 2010
H
Verified Purchase
Hailey
Massapequa, US
★★★★★ 5
Great price, good condition
Format: Paperback
This is was exactly what I was looking for, slightly used but paid a great price compared to brand new! Definitely recommend.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 17, 2026
B
Verified Purchase
Breanna Geyer
Massapequa, US
★★★★★ 5
Good for research
Format: Paperback
Nursing research is not the place for me but it’s good to know this stuff before you become a nurse. I did use this for many assignments.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 22, 2024

recommand products